![]() ![]() This explains why, whenever a person says sie to me, I generally try to kill him, if a stranger. But mainly, think of the exasperation of never knowing which of these meanings the speaker is trying to convey. Think of the ragged poverty of a language which has to make one word do the work of six-and a poor little weak thing of only three letters at that. For instance, the same sound, sie, means you, and it means she, and it means her, and it means it, and it means they, and it means them. Personal pronouns and adjectives are a fruitful nuisance in this language, and should have been left out. One is sure to lose his temper early and if he sticks to the subject, and will not be warned, it will at last either soften his brain or petrify it. The gentle reader will never, never know what a consummate ass he can become until he goes abroad. Here is an example which I culled from a novel and reduced to English: “The trunks being now ready, he de- after kissing his mother and sisters, and once more pressing to his bosom his adored Gretchen, who, dressed in simple white muslin, with a single tuberose in the ample folds of her rich brown hair, had tottered feebly down the stairs, still pale from the terror and excitement of the past evening, but longing to lay her poor aching head yet once again upon the breast of him whom she loved more dearly than life itself, parted.” However, it is not well to dwell too much on the separable verbs. A favorite one is reiste ab-which means departed. Can any one conceive of anything more confusing than that? These things are called “separable verbs.” The German grammar is blistered all over with separable verbs and the wider the two portions of one of them are spread apart, the better the author of the crime is pleased with his performance. CLICK HERE to Read MORE Travel Quotes from Fellow Travel Bloggers.“The Germans have another kind of parenthesis, which they make by splitting a verb in two and putting half of it at the beginning of an exciting chapter and the other half at the end of it. Drop a line below with YOUR favorite travel quote. Need more travel quotes for inspiration? I just love them and love to hear of favorites. “Travel is fatal to prejudice, bigotry, and narrow-mindedness.” Travel quotes by Mark Twain. We certainly need more of THIS in the world, don’t we? “It used to be a good hotel but that proves nothing…I used to be a good boy.” Travel quotes by Mark Twain. “The gentle reader will never know what a consummate ass he can be until he goes abroad.” Travel quotes by Mark Twain.Ĭheck the dates on hotel reviews just in case it just ‘used to be’ good and isn’t any more! CLICK HERE – Books to Read with Kids before you Travel. This is especially wonderful for children. Don’t be that person! Understand the culture by reading before you go. Some people would call the ignorant traveler the ‘ugly American’. “Strive to be neither ignorant or average.” The Educational Tourist Growing up on the Mississippi, Clemens left school at age 12 when his father died. ‘The average man is profoundly ignorant of countries that like remote from his own.” Travel Quotes by Mark Twain. American Minute with Bill Federer Mark Twain, Innocents Abroad, his visit to the Middle East & his views on life Mark Twain a river measurement meaning 12-feet-deep, was the pen name of Samuel Langhorne Clemens, who born November 30, 1835. GREAT wish for any friend – may you never be ignorant or average. “Nothing helps scenery like wine and chocolate.” Travel Quotes by The Educational Tourist. “Nothing helps scenery like bacon and eggs.” Travel Quotes by Mark Twain. Drop a line in the comments on what YOU would say helps scenery! Sleeping in? Great food? Live music? I added my own twist to a few travel quotes by Mark Twain. “There is no worse unhappiness than sighting work again after a wonderful vacation.” Travel Quotes by Mark Twain CLICK HERE – How to Travel with the Grandkids CLICK HERE – How to Travel with the Kids Get all the tips you need to make it wonderful so you don’t come back with some of Mark Twain’s snarky quotes you create. Multi generational travel is THE thing now and becoming more and more common. Lol! If this is YOU get tips for traveling with the whole family. “There is no better way to find out whether you like people or hat them than to travel together.” Travel Quotes by Mark Twain Travel Quotes by Mark Twain – a few favorites. Let’s soak up some fun travel quotes by Mark Twain that he really did say! I’m not sure that is true…and he is often misquoted as saying fabulous things….that someone else said. I read somewhere that he is responsible for 1% of ALL the world’s witticisms. ![]() He loved to insult and toss out witticisms that included a few barbs. Mark Twain, writer extraordinaire, was also a world traveler….and a smart aleck. Check out Mark Twain’s travel quotes for inspiration and a chuckle. ![]()
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![]() ![]() While the Hero is unquestionably the only combat-capable villager, the other raposa tend to be the ones doing their jobs. As a demigod of sorts, the Hero is the only character capable of traversing the extremely hostile environments of each game. The Main Characters Do Everything: Justified.Replacement Goldfish: The newly-created hero of the last game does not share its predecessor's memories for some reason or other. ![]() Wilfre in the sequel one-ups him, however. Physical God: Could be considered this, as they acknowledge your presence and wonder how you watch over them.Invincible Hero: Can become this in the first game with the primary cheat code.Hello, : The hero is nameless, with you providing it.The Hero, however, averts this, as they're occasionally referred to with masculine pronouns despite the potential for Ambiguous Gender or No Biological Sex when creating them. Gender-Inclusive Writing: Since the Creator is you, there's no pronoun attached to the title whatsoever.Cloudcuckoolander: The first game's hero has a few conversation options like this, showing that it's enjoying itself.But Now I Must Go: At the end of the first game (maybe), based off dialogue in the other games.A God Is You: All the things the Raposa request you restore are all your doing and in whatever vision you can imagine.The Ace: Easily the best combatant and explorer in any of the games, and roughly equal with Wilfre himself as the most powerful character aside from the Creator and Mike.Whether or not they're separate entities is unclear. The hero is the Creator's presence powering a wooden dummy. Exactly What It Says on the Tin, the Creator is the almighty being who created the world of Drawn to Life. ![]() ![]() Their curated lists of high-quality tracks are always helpful, and the staff picks and new release highlights are on-point. The beautiful UI makes it easy to sort audio by video or music genre. Artlist.ioĪrtlist.io is one of the best music subscription services I’ve ever used. The quality of the library will change from tier to tier. Image via Filmstocks Pricingįilmstocks uses tiered pricing ranging from free to $44.99/month. Filmstocks is a library of stock footage, animated templates, and audio. ![]() Similar to Envato Elements, Filmstocks includes stock videos, animations, After Effects templates and audio. Get an unlimited subscription from $16.50/month. The real strength of Envato Elements is the breadth of categories it covers. ![]() ![]() With a single subscription, you’ll get unlimited downloads of stock photography, footage, video editing/effects templates (Premiere and After Effects), sound and music. Envato Elements gives you unlimited downloads of everything from stock photography, stock footage, Premiere Pro and After Effects templates, and audio. Whether you’re after footage of a puppy or a complex animated graph, Envato Elements will have what you need. Here are some great libraries that will provide thousands of high-quality stock assets with just a click. They can help tell your story, communicate your ideas and create a mood. Stock assets are videos, photos, animations, music and more that bring your videos to life. Although it can be charming, try to do more than just having someone speak to the camera or using a voiceover over a number of static images. It takes a lot of different elements to make an engaging video. You can solve this by hanging a thin, white sheet in front of it. A clamp light or work light will provide a lot of light, but will also be harsh. It’s basically a paper ball wrapped around an incandescent bulb. A simple, convenient way to create soft light is by hanging up a china ball. If natural light is not an option, you can use a simple Three Point Lighting setup to film a single subject who’s not moving. Just make sure you’re filming at a time of day when the sun is not too bright or too low. If you are shooting outside or in a place with windows, this can serve as your light source. It’s great quality, and you can record directly into a program like GarageBand on the Mac or Audacity. Or if you’re using a camera without a mic port like a smartphone or one of the Sony RX100s then consider a USB microphone like the Blue Yeti Snowball. If you’re including a voiceover or piece to camera, a good microphone will lift the quality and perception of your entire video.Įither grab an easy to use microphone like the Rode VideoMic Pro, which will plug directly into your DSLR camera. And ensure you use a separate microphone to record your sound. Whatever camera you pick, be sure to use a tripod when filming. They’re fantastic alternatives to some of the bigger more complex cameras. Or an easy to use mirrorless camera from the Sony RX100 series. Some audiences are okay with videos shot on a smartphone, and the cameras on the iPhone and Samsung Galaxy lines in particular have gotten quite good.īut if your audience expects something of the highest possible quality, consider sourcing a decent video camera like a Canon C100 or above. Depending on the quality you’re going for, you can rent or buy the equipment you need or use what you have on hand. The three basic video production tools you’ll need are: a camera (or smartphone), a microphone (if you’re planning to record sound) and good lighting. But don’t worry if you’re just starting out and don’t have an expensive setup yet. Here are the video tools you need to know about: Video production tools -įirst things first, to create great video you need the right video equipment. If you want to learn more about the video production process, check out our guide on how to create a video. Let’s make your video workflow more efficient, effortless and effective. These tools will help you record and edit video, source footage, find the right video maker tools and video marketing tools, get audio assets and even make content decisions. To help you conquer video production, we’ve compiled a list of the best video tools for 2019. Video can be a difficult medium to master. These tools will help you run a more efficient, effortless and effective workflow in 2019. And now that technology and internet speeds have caught up, it’s finally possible for people to watch videos whenever and wherever they want. ![]() Film and TV have captivated the world for nearly a century because of their ability to combine writing, audio and visuals. Marketers are always looking out for the next way to engage an audience, and video marketing has taken off. ![]() ![]() ![]() Fee would be $490.
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![]() ![]() Shoulder arthroscopy with distal clavicle excision.Repair of rotator cuff tendon in shoulder.Knee arthroscopy repair of both menisci.Debridement of skin, muscle, bone or a fracture. ![]()
![]() This setup requires to have paraview installed on a personal computer with a version matching the one available on the Euler:Īt the time of writing, you can download version 5.8.0 or 5.9.1 here. In this documentation, we are explaining how to achieve such a setup. Sending back all the data is too expensive, so the server does not only provide the data back to the user but also perform some off-screen rendering. In order to simplify its usage, ParaView can be run in a "client-server" mode where the user runs the client on his/her own machine (GUI) and connects to the server in order to access the data. It can also be run as a single-computer application." ParaView is an application designed for data parallelism on shared-memory or distributed-memory multicomputers and clusters. It is an application built on top of the Visualization Toolkit (VTK) libraries. It has a client–server architecture to facilitate remote visualization of datasets, and generates level of detail (LOD) models to maintain interactive frame rates for large datasets. ![]() If something goes wrong, a message box will provide information.According to wikipedia: "ParaView is an open-source multiple-platform application for interactive, scientific visualization. The setup process takes a little while so be patient. ![]() ![]() There will be some options to select in the next screen and then Paraview will connect after pressing OK. Select the "University of Iowa Argon" configuration and select Connect. This screen will likely look different, depending on the server configs that you have already loaded. The screen should then look similar to that below. Navigate to the pvsc file that you previously downloaded and load that file. On the next screen, click on Load Servers. Note that the version shown here will likely look a little different, depending on version and OS used.Īfter launching Paraview, click on the Connect to Server button. To set up Paraview to use the HPC system, launch the Paraview client that was previously installed. Paraview downloads are available at the Download | ParaView web page. You must download the paraview client binary of that same version. You should download the servers definition file which sets up access to our systems. To make setup easier, a server configuration file for Argon is provided. For Mac and Linux machines you may enter a one-time Duo code, in addition to specifying "push". On a Windows machine, Duo will auto push to your device, so you must have a device set up for that. Second, you must pass Duo 2-factor credentials. ![]() There is no way to type a password when Paraview connects so this step is crucial. First off, you must have passwordless SSH setup. Paraview can be a little difficult to set up, particularly on Windows machines. Typically, the only way to access compute nodes on an HPC system is through a queue system so this allows paraview to take advantage of those resources. Paraview will submit itself as a job to a queue system on the processing servers. In addition to having the processing done on a single server, paraview can use MPI to connect to multiple server nodes to process very large data sets. In this model, paraview can connect to your data on a remote system, process the graphics elements on the remote system, but render and display the graphics on your local workstation, taking advantage of hardware acceleration. It overcomes the issue of poor performance of graphics over a network by splitting the processing and rendering over multiple servers. Paraview is a visualization package for large data sets. ![]() ![]() ![]() However when Clare begins to see ghostly visions within the house Anna has difficulty believing her.Īs the visions worsen they test Clare’s sanity, until one night she mistakenly attacks Anna – believing her to be one of the ghosts. Clare suffers from fits and Anna cares for Clare between time at work and seeing her boyfriend. If The Search and Red Riversignalled Clift's arrival, William Wyler film's major success at the time (it won the most Oscars in its year) and its enduring classic status today, serve as yet another sign in the shift of acting styles that would mold many of the classics of the 1950s and 1960s that we love today - some of them, starring our beloved Monty.Clare and Anna are devoted sisters who live together. Monty squirming while watching his own performance in The Heiress - a fascinating photoshoot byJ.R. He went beyond the archetypes of the romantic lead or the gaslighting male, retaining mystery. Wile The Heiress is rightfully considered the Livvie show, Clift's own performance is undervalued. That distaste didn’t translate to the screen. He reportedly didn’t stay long at the premiere, and there was no love lost between him and his co-star Olivia de Havilland. In the film, because Clift was so sympathetic, people were horrified when he jilted her.”Īs with Red River, Monty didn’t particularly care for his performance in the film nor the whole piece itself. In the play, he was so obviously a villain. " I don’t agree with the critics who said that Montgomery Clift was too nice and pleasant to play the fortune hunter Morris Townsend. Response to Monty's performance was mixed but Wyler always defended him: She also aces those very difficult scenes and it’s a sparring of different acting styles that make the final act of the film even more compelling. And, when he comes back, Monty thrives as both him and Olivia’s character have gone through some very rough changes. While the film plays with that enigma, what with the character being introduced with his back to the audience and head out of the frame, for example, it’s Clift’s work that does the trick of making us fall for and then hate Morris as he leaves Catherine. The Heiress is a gothic film, anchored in the mystery of Morris and how much of his interest in Catherine is her and how much is her fortune. It’s not a Romeo and Juliet-type tale of star crossed lovers. Monty, of course, plays Morris, the object of Catherine’s affection. The film centers on Olivia as she plays Catherine, a socially awkward girl who finally falls in love, only to be threatened with disownment by her father (Ralph Richardson), who believes the guy is a good old gold digger. Going for less stylized choices and powering through raw emotions, Monty paved the way for Marlon Brando and James Dean, who would both take the film industry by storm in the following decade with performances as poignant as the ones Clift delivered in his short, but iconic body of early work.īut, back to The Heiress. It was the combination of a very particular brand of acting and heartthrob looks that made Clift a star, and that mix is undoubtedly present in The Heiress.Ĭemented in Hollywood history as the film that garnered Olivia de Havilland a second well-deserved Oscar, The Heiress also arguably introduced Monty as the romantic (or not) lead.Īfter his first appearances in The Search and Red River, it was clear that he had something his peers didn’t. Just one year into the Hollywood industry, he was tapped to co-star in a period drama by William Wyler, who was still riding the waves of the second of his three best directing Oscars, for 1946’s The Best Years of Our Lives. ![]() ![]() Montgomery Clift achieved greatness early in his career. ![]() ![]() ![]()
![]() ![]() Due to the nature of complex music agreements and multiple ownership structure, we can’t clear the use of them to streamers or content creators. This is most often seen in some of our bigger songs, most prevalently, recently with K/DA and True Damage. There’s a bit of “middle-ground” where we have collaborated with artists on certain tracks and albums, and since a majority of the songs are remixes of compositions that Riot fully owns, we are still able to offer most of it to streamers and content creators for use in whatever way they want.įinally, the complexities really come into play when the composition itself isn’t owned by Riot, or when Riot has collaborated closely with other artists in creating the song. However, things start to get a little complex when other artists or labels (and songwriters and publishers) are involved. In this case, we can offer these songs for streamers and content creators to use in their streams, videos, etc. Because of that, Riot retains full rights to the composition and the sound recording itself. ![]() When a song such as a champion theme is created, these songs are usually done entirely in-house at Riot, or with direct partners of Riot. While we don’t think it would be worthwhile to explain every facet of how music is made and how deals are done, we do think that having context about why certain music that Riot has had a hand in is restricted from general use by streamers and content creators. Our partners include fellow music artists, songwriters, producers, labels, music publishers and more. While navigating this space, we want to be good partners with those we work with so that we can continue to create new and exciting music for our players and fans. There are built in copyright laws, governing entities, and a multitude of well established business entities within the music industry. The music industry is ever-changing and, even for us, fairly complex. This is going to be a long article, but one that we plan to keep updated, and one that we hope can help provide some context, direction, and examples here to help bring a better understanding to how Riot is working in the world of music. We’re excited that so many streamers and content creators have used our Creator-Safe Playlist since we put it live a few weeks ago, and, like we mentioned, we are committed to continuing to expand the options you have for music available for use in content for your community. We have continued to follow conversations many of you have had about the difficulties in this space, and we hope to be able to provide you with more options for music to use in your content as we move forward. As you may have seen a few weeks ago, we made a commitment to offer better support for streamers and content creators when it comes to their use of Riot Games music. ![]() |